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» » Putting Popular Music in its Place
Putting Popular Music in its Place e-book

Author:

Charles Hamm

Language:

English

Category:

Photo

Subcategory:

Music

ePub size:

1964 kb

Other formats:

azw doc lrf docx

Rating:

4.5

Publisher:

Cambridge University Press; Reissue edition (November 2, 2006)

Pages:

404

ISBN:

0521028612

Putting Popular Music in its Place e-book

by Charles Hamm


This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres.

This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres.

Charles Hamm is a musicologist who should not be left to musicology. Full text views reflects the number of PDF downloads, PDFs sent to Google Drive, Dropbox and Kindle and HTML full text views for chapters in this book. Total number of HTML views: 0. Total number of PDF views: 0 .

Start by marking Putting Popular Music in Its Place as Want to Read .

Start by marking Putting Popular Music in Its Place as Want to Read: Want to Read savin. ant to Read. This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music: the interrelationships between popular music and other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes.

Charles Hamm was an American musicologist, writer on music, composer, and music educator. He traced popular’s history not just to its full recent flowering in the 1950s or to the 19th century and Stephen Foster, but also to the colonial-era compositions that created the context for all that followed.

Charles Hamm, who helped establish the field of American popular music history with two books that have become . There was no literature in my own discipline to guide me, he later recalled in Putting Popular Music in its Place, a 1995 collection of his essays.

Charles Hamm, who helped establish the field of American popular music history with two books that have become standard texts, died on Oct. 16 in Lebanon, N. H. He was 86. The cause was pneumonia, his son Stuart said. My first attempts were shots in the dark, guided only by the germ of a conviction that popular music should be approached as a complex field encompassing composers, performers, audiences, the music industry, the media and the state.

This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes.

Charles Edward Hamm (April 21, 1925 – October 16, 2011) was an American musicologist, writer on music, composer, and music educator. Music in the New World (1983). Putting Popular Music in its Place (1995). He also was one of the founders of the International Association for the Study of Popular Music (IASPM). Irving Berlin: Songs From the Melting Pot (1997). a b c Zachary Woolfe (October 23, 2011). Charles Hamm, Author on American Popular Music, Dies at 86". The New York Times.

New List New Article New Book New Video New Post New Score ne. In: Popular Music, Vol. 16, No. 1, pp. 115.

New List New Article New Book New Video New Post New Score new. Home Journals Popular Music 1997 Vol. 16 No. 1. Putting Popular Music in Its Place by Charles Hamm.

Putting Popular Music in Its Place. Hamm knew and admired Cage and it was Hamm's connection with Cage that set the stage for him to consider popular music as a meaningful field of study

Putting Popular Music in Its Place. Putting Popular Music in Its Place. Hamm knew and admired Cage and it was Hamm's connection with Cage that set the stage for him to consider popular music as a meaningful field of study. His work on popular music in South Africa and China is a case in point. Today, writing on the popular music of these areas is not so out of the ordinary.

Music in the New World (1983). Collection guide to Charles Hamm Recordings, University of Pittsburgh. Category:1925 births Category:2011 deaths Category:University of Virginia alumni Category:American musicologists Category:Guggenheim Fellows.

This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, and the impact of modernist modes of thought on writing about popular music.

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